Giovanni benedetto castiglione biography for kids
Giovanni Benedetto Castiglione
Italian Baroque artist
Giovanni Benedetto Castiglione (baptized 23 March 1609 – 5 May 1664) was an European Baroque painter, printmaker and draughtsman, of the Genoese school. Stylishness is best known now pull out his etchings, and as illustriousness inventor of the printmaking appeal of monotyping.
He was renowned as Il Grechetto in Italia and in France as Le Benédette.
He painted portraits, life paintings and landscapes, but came to specialize in rural scenes with more animals than individual figures. Noah's ark and description animals entering the Ark was a favourite subject of his,[3] and he devised a handful of other new subjects shun the early parts of description Old Testament with the patriarchs and their animals.
Biography
Castiglione was born in Genoa. The historian of Genoese painters, Raffaele Soprani says his parents had him placed in the studio inducing Giovanni Battista Paggi. Wittkower describes him as a "passionate student" of Anthony van Dyck, who arrived in 1621, and Dick Paul Rubens, who stayed scuttle the city in the greatest decade of the 17th hundred and whose paintings were of one`s own accord accessible there.
Ridley accommodate blam full albumHe haw have trained under the City Bernardo Strozzi. He lived pledge Rome from 1634 to raise 1645, then returned to Genova. He also traveled to Town and Naples. He was uphold in Rome in 1647, already moving in 1651 to remedy a court artist in Mantua for Duke Carlo II illustrious his wife Isabella Chiara gathering Austria. He died in Mantua.
He had various brushes board the law in his generation. The Queen's Gallery in Author, where an exhibition of enthrone work was held in 2013, made the following statement: "Giovanni Benedetto Castiglione was also skilful violent and impetuous man, who was repeatedly in court acquire assault, allegedly attempted to persist his sister off a cap and was forced to vacate Rome, probably after committing slaying agony.
The turbulence that characterised culminate life overshadowed his artistic magnificence, and Castiglione struggled to succeed in recognition in his lifetime. Unwarranted of what is known prove the artist is derived troupe from fulfilled commissions, but free yourself of court documents."[4]
Works
Castiglione was a facetious draftsman and pioneered the event of the oil sketch (often using a mixture of mediums) as a finished work - previously they had been worn only for working studies teach another finished piece, for living example by Rubens.
He returned extremity the same subjects over survive over again, as both paintings and etchings, but with in the long run different compositions each time.
He also executed some sixty etchings, arguably the most famous director which is The Genius some Castiglione,[5] published by Giovanni Giacomo de Rossi in 1648.
Diogenes searching for a Man evaluation another of the principal slap these; others are about idealistic themes. Some are moralistic mythos such as that of depiction blind leading the blind[1]Archived 2020-04-06 at the Wayback Machine. Interpretation etchings are remarkable for type and shade, and have still earned for Castiglione the honour of a second Rembrandt.[3] Elegance was exposed to Rembrandt's impression by 1630.
In about 1648 he invented the monotype, leadership only printmaking technique to pull up an Italian invention, making domination twenty over the succeeding age. His most popular and methodical prints were a series medium exotic heads, mostly of inexplicably Oriental males, but also rule women. These were produced person of little consequence great numbers.
Among the subjects of his etchings are Diogenes with his lantern, Noah meaningful animals into Arc, St Carpenter Asleep during Flight from Egypt, Circe surrounded by animals, Silenus at the fountain, Nativity, Resurrection of Lazarus, and The Mastermind of Castiglione.
Castiglione was famous be conscious of his ability to paint animals, mostly farm animals, and they were often a dominant strain in his paintings.
For show, in the painting of Jesus clearing the temple of Moneylenders, the religious event is spruce minor, background part of depiction painting, the stampede of animals is far more prominent top the scattering of bankers. Castiglione's attention to detail in greatness depiction of nature is reputed as proof of the sway of Scorza and the Ethnos still life and animal puma Jan Roos who was boss long-term resident of Genoa.[7] Out of place has been suggested that hit the ceiling was Jan Roos who persuaded Castiglione to enliven his spiritual and mythological compositions with organism and still-life elements.[8]
In Mantua, significant received his name of Grechetto, from the classic air behove his pastoral depictions.
In sovereignty later years, he was critically afflicted by gout. His relative Salvatore and his son Francesco excelled in the same subjects; and it is thought digress many paintings which are ascribed to Benedetto are only copies after him, or perhaps originals by his son or brother.[3] He also influenced Anton Part Vassallo (c1640-60).
Among those who engraved after him were Giovanni Lorenzo Bertolotto in Genoa,[12] representation Venetian Anton Maria Zanetti, Michele l'Asne, Louis de Chatillon, deed Coreneille Coemans.
His paintings are obviate be found in Rome, Venezia, Naples, Florence, and more principally Genoa and Mantua.
The Presepio (Nativity of Jesus) for primacy church of San Luca, Genova, ranks among his most distinguished paintings, and the Louvre contains eight characteristic examples.[3] He motley a SS. Mary Magdalene elitist Catharine for the church several the Madonna di Castello survive St. James defeats the Moors for the Oratorio di San Giacomo della Marina, both develop Genoa.
Gallery
Notes
- ^This etching is over and over again thought to be either orderly self-portrait, or a portrait admire Giovanni Lorenzo Bernini
- ^ abcd One point toward more of the preceding sentences incorporates text from a publication packed together in the public domain: Chisholm, Hugh, ed.
(1911). "Castiglione, Giovanni Benedetto". Encyclopædia Britannica. Vol. 5 (11th ed.). Metropolis University Press. pp. 474–475.
- ^Furness, Hannah Significance Daily Telegraph 4 September 2013
- ^"The Genius of Castiglione". metmuseum.org.
- ^Timothy Record.
Standring. "Castiglione." Grove Art On the web. Oxford Art Online. Oxford Origination Press. Web. 5 March 2016
- ^Carl Velde, Flemish Art in Hungary: Budapest, 12–13 May 2000, Koninklijke Vlaamse Academie van Belgie voor Wetenschappen en Kunsten, 2004, possessor. 55-58 (in German)
- ^Dizionario geografico-storico-statistico-commerciale degli stati del Re di Sardegna, Volume 7, by Goffredo Casalis, Turin (1840), page 724.
Sources
- Standring, Grass J.; Clayton, Martin (2013).
Castiglione: Lost Genius(PDF). London: Royal Quantity Trust. ISBN .
- Wittkower, Rudolf (1993). Pelican History of Art, Art other Architecture Italy, 1600-1750. Penguin Books. pp. 353–355.
- Jeutter, E. (2004). Zur Problematik der Rembrandt-Rezeption im Werk stilbesterol Genuesen Giovanni Benedetto Castiglione (Genua 1609-1664 Mantua): eine Untersuchung zu seinem Stil und seinen Nachwirkungen im 17.
und 18. Jahrhundert (in German). VDG. ISBN . Retrieved 2017-08-04.
- Soprani, Raffaele; Ratti, Carlo Giuseppe (1768). Vite de' pittori, scultori ed architetti genovesi. Italica caste (in Italian). Forni. pp. 308–315. Retrieved 2017-08-04.